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	<title>cinemattraction &#187; Tim Hayes</title>
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		<title>The Fall</title>
		<link>http://www.cinemattraction.com/?p=1051</link>
		<comments>http://www.cinemattraction.com/?p=1051#comments</comments>
		<pubDate>Fri, 04 Jul 2008 15:12:27 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Lee Pace]]></category>
		<category><![CDATA[silent films]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[stuntmen]]></category>
		<category><![CDATA[Tarsem]]></category>
		<category><![CDATA[Tarsem Singh]]></category>
		<category><![CDATA[The Princess Bride]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>

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		<description><![CDATA[
Stephen Berkman/Roadside Attractions
Tarsem/India-United Kingdom-United States 2008
A film to divide opinion if ever there was one, The Fall is stuffed to the brim with wondrous landscapes, staggering architecture and fantastical locations – all supposedly genuine and CGI-free. Apparently based on a Bulgarian movie from 1981, it starts off as a sweet fable told to a kid, [...]]]></description>
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		<title>Red</title>
		<link>http://www.cinemattraction.com/?p=1050</link>
		<comments>http://www.cinemattraction.com/?p=1050#comments</comments>
		<pubDate>Fri, 04 Jul 2008 14:54:38 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[bereavement]]></category>
		<category><![CDATA[Brian Cox]]></category>
		<category><![CDATA[dogs]]></category>
		<category><![CDATA[film production problems]]></category>
		<category><![CDATA[gothic]]></category>
		<category><![CDATA[Jack Ketchum]]></category>
		<category><![CDATA[Lucky McKee]]></category>
		<category><![CDATA[Tom Sizemore]]></category>
		<category><![CDATA[Trygve Allister Diesen]]></category>

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		<description><![CDATA[
Magnolia Pictures
Trygve Allister Diesen and Lucky McKee/United States 2008
A standard vigilante set-up turns into something much more interesting about age and bereavement in Red, a gothic modern-day Western from Jack Ketchum&#8217;s novel that combines a surprising cast with a chilly atmosphere which seeps into your bones. It also gives the majestic Brian Cox what would [...]]]></description>
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		<title>The Kreutzer Sonata</title>
		<link>http://www.cinemattraction.com/?p=1037</link>
		<comments>http://www.cinemattraction.com/?p=1037#comments</comments>
		<pubDate>Thu, 03 Jul 2008 04:01:07 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Bernard Rose]]></category>
		<category><![CDATA[Danny Huston]]></category>
		<category><![CDATA[Elizabeth Rohm]]></category>
		<category><![CDATA[red carpet]]></category>
		<category><![CDATA[Tolstoy]]></category>
		<category><![CDATA[updated story]]></category>

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		<description><![CDATA[
Courtesy photo
Bernard Rose/United States 2008
Continuing director Bernard Rose&#8217;s reworking of Tolstoy stories after Ivans XTC in 2000, The Kreutzer Sonata shunts the author&#8217;s novella into modern Los Angeles and delves deeply into the fragile emotional state of Edgar (Danny Huston). With a house to die for and a job leading a charitable foundation, Edgar would [...]]]></description>
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		<title>Roger Deakins: In Person</title>
		<link>http://www.cinemattraction.com/?p=1036</link>
		<comments>http://www.cinemattraction.com/?p=1036#comments</comments>
		<pubDate>Thu, 03 Jul 2008 04:00:46 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Barton Fink]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Coen brothers]]></category>
		<category><![CDATA[digital intermediate]]></category>
		<category><![CDATA[Jesse James]]></category>
		<category><![CDATA[No Country for Old Men]]></category>
		<category><![CDATA[O Brother Where Art Thou]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Seamus McGarvey]]></category>

		<guid isPermaLink="false">http://www.cinemattraction.com/?p=1036</guid>
		<description><![CDATA[
Photo by Margaret Drysdale. Roger Deakins on the Edinburgh International Film Festival red carpet on June 22nd.
Cinematography was one of the official themes of this year&#8217;s Edinburgh International Film Festival, and although Brian Tufano had to cancel, the festival was still able to welcome Roger Deakins for an In Person appearance. The respect accorded Deakins [...]]]></description>
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		<title>Edinburgh International Film Festival 2008</title>
		<link>http://www.cinemattraction.com/?p=1038</link>
		<comments>http://www.cinemattraction.com/?p=1038#comments</comments>
		<pubDate>Tue, 01 Jul 2008 05:16:44 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alex Orr]]></category>
		<category><![CDATA[Alex Rivera]]></category>
		<category><![CDATA[Brad Anderson]]></category>
		<category><![CDATA[Edinburgh International Film Festival]]></category>
		<category><![CDATA[Erik Nelson]]></category>
		<category><![CDATA[film criticism]]></category>
		<category><![CDATA[Gillian Armstrong]]></category>
		<category><![CDATA[Harlan Ellsion]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[Klaus Kinski]]></category>
		<category><![CDATA[Mark Cousins]]></category>
		<category><![CDATA[Peter Geyer]]></category>
		<category><![CDATA[Phillipe Petit]]></category>
		<category><![CDATA[Shane Meadows]]></category>
		<category><![CDATA[Steven Sheil]]></category>

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Photo by Helena Smith. Edinburgh International Film Festival jury chairman Danny Huston on June 20th.
Transplanting the Edinburgh International Film Festival to mid-year and divorcing it from the genial chaos of August&#8217;s festival season made the EIFF the only game in town this June. It certainly made it easier to network, socialize, and bump into fellow [...]]]></description>
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		<title>Elegy</title>
		<link>http://www.cinemattraction.com/?p=1020</link>
		<comments>http://www.cinemattraction.com/?p=1020#comments</comments>
		<pubDate>Mon, 30 Jun 2008 04:02:11 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[2008 Tribeca Film Festival]]></category>
		<category><![CDATA[58th Berlin International Film Festival]]></category>
		<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Debbie Harry]]></category>
		<category><![CDATA[Dennis Hopper]]></category>
		<category><![CDATA[Elegy]]></category>
		<category><![CDATA[Isabel Coixet]]></category>
		<category><![CDATA[Nicholas Meyer]]></category>
		<category><![CDATA[Penelope Cruz]]></category>
		<category><![CDATA[Philip Roth]]></category>
		<category><![CDATA[The Dying Animal]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>

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		<description><![CDATA[
Samuel Goldwyn Films
Isabel Coixet/United States 2008
Carefully engineered to provoke a sigh from males viewing mid-life from either side, and possibly an elbow in the ribs from their partners, Isabel Coixet&#8217;s Elegy is polished to a smooth sheen. Adapted from Philip Roth&#8217;s The Dying Animal, it also provides the sight of Ben Kingsley luxuriating in Roth&#8217;s [...]]]></description>
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		<title>Foster Child</title>
		<link>http://www.cinemattraction.com/?p=1021</link>
		<comments>http://www.cinemattraction.com/?p=1021#comments</comments>
		<pubDate>Mon, 30 Jun 2008 04:01:39 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Brillante Mendoza]]></category>
		<category><![CDATA[Cherry Pie Picache]]></category>
		<category><![CDATA[Foster Child]]></category>
		<category><![CDATA[foster parents]]></category>
		<category><![CDATA[fostering]]></category>
		<category><![CDATA[Manila]]></category>
		<category><![CDATA[Philippines]]></category>

		<guid isPermaLink="false">http://www.cinemattraction.com/?p=1021</guid>
		<description><![CDATA[
Courtesy photo
Brillante Mendoza/Philippines 2007
The lines between acting and life are impossible to discern in Foster Child, the story of one day in the life of a Manila foster mother that ends up packing an almighty punch. Filmed in an uncompromising vérité style complete with much authentic dust and rust and all the interruptions and fourth-wall [...]]]></description>
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		<title>Errol Morris: In Person</title>
		<link>http://www.cinemattraction.com/?p=1022</link>
		<comments>http://www.cinemattraction.com/?p=1022#comments</comments>
		<pubDate>Wed, 25 Jun 2008 13:12:24 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Edinburgh International Film Festival 2008]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Abu Ghraib]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Edinburgh]]></category>
		<category><![CDATA[Edinburgh International Film Festival]]></category>
		<category><![CDATA[Errol Morris]]></category>
		<category><![CDATA[George W. Bush]]></category>
		<category><![CDATA[Iraq War]]></category>
		<category><![CDATA[President Bush]]></category>
		<category><![CDATA[Robert McNamara]]></category>
		<category><![CDATA[Standard Operating Procedure]]></category>
		<category><![CDATA[torture]]></category>

		<guid isPermaLink="false">http://www.cinemattraction.com/?p=1022</guid>
		<description><![CDATA[
Photo courtesy of the Edinburgh International Film Festival. Errol Morris, director of Standard Operating Procedure at Edinburgh International Film Festival on June 21.
“Never travel without the Interrotron.” Errol Morris, interviewed on stage at the Edinburgh International Film Festival, put great store in his infamous invention: the teleprompter-like set-up by which he allows his interview subjects [...]]]></description>
		<wfw:commentRss>http://www.cinemattraction.com/?feed=rss2&amp;p=1022</wfw:commentRss>
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		<title>My Blueberry Nights</title>
		<link>http://www.cinemattraction.com/?p=865</link>
		<comments>http://www.cinemattraction.com/?p=865#comments</comments>
		<pubDate>Sat, 01 Mar 2008 10:16:27 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.cinemattraction.com/?p=865</guid>
		<description><![CDATA[
MaCall Polay/The Weinstein Company
Wong Kar-wai/Hong Kong-China-France 2007
If you squint a bit at the layers of saturated colors and luminous atmosphere, My Blueberry Nights does resemble a proper Wong Kar-wai film; but trouble starts as soon as anyone in it opens his or her mouth. Not only do Wong&#8217;s better instincts seem to have become befuddled [...]]]></description>
		<wfw:commentRss>http://www.cinemattraction.com/?feed=rss2&amp;p=865</wfw:commentRss>
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		<item>
		<title>Silent Light (Stellet licht)</title>
		<link>http://www.cinemattraction.com/?p=790</link>
		<comments>http://www.cinemattraction.com/?p=790#comments</comments>
		<pubDate>Tue, 22 Jan 2008 12:06:38 +0000</pubDate>
		<dc:creator>Tim Hayes</dc:creator>
				<category><![CDATA[45th New York Film Festival]]></category>
		<category><![CDATA[Festival Coverage]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Times BFI 51st London Film Festival]]></category>

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		<description><![CDATA[
Tartan Films
Carlos Reygadas/Mexico-France-Netherlands-Germany 2007
Silent Light may be less confrontational than Carlos Reygadas&#8217; previous films, but it still presents a mighty challenge for viewer and reviewer.
For starters, it devotes two and a quarter hours to a plot that&#8217;s barely a sound bite: In a small Mennonite community that could be anywhere but judging from the occasional [...]]]></description>
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